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September 2019 – A Doll’s House

“I have long admired the play A Doll’s House by Ibsen for its powerful portrait of how a young woman – Nora – breaks free from the shackles of a patriarchal marriage. Transposing the setting to Calcutta in 1879 (the year of the play’s first performance), opens the door to exploring additional power dynamics. Two years after Queen Victoria was declared Empress of India and in the midst of massive expansion of the British Empire across the world, I wanted to pose the question – what happened to the women of India who were married to Englishmen? Nora is now a young Bengali woman in a mixed marriage with an English colonial administrator who worships and exoticises her. The wider environment and the central relationship are thus bound up with colonial attitudes to race, sitting alongside and interwoven with patriarchy. This moves it beyond being simply an ‘all Asian’ Doll’s House, enabling an analysis of different forms of subjugation and servitude. Nora breaking free of her shackles is thus all the more poignant at the end of the play.” – Tanika Gupta

Adapted by Tanika Gupta and directed by Rachel O’Riordan, the play is set in Calcutta, with Niru (Nora in the original) played by Anjana Vasan (Summer and Smoke).

“Gupta invites us to look at the play’s gender politics through the lens of British colonialism” – The Guardian

“Tanika can write about big subjects with complete confidence and bravery… it’s work by a woman of colour, a London playwright with Indian heritage”– The Stage

“It’s not just about looking at subjugation of a woman, but subjugation of a race through colonialism” – London Live – Tanika Gupta re-imagines ‘A Doll’s House

1st October 2019 – Studio Talk – Is marriage a form of colonialism? A pre-show panel discussion inspired by Tanika Gupta’s new adaptation of Ibsen’s A Doll’s House. Host Fiona Mountford will be joined by Tanika Gupta, director of the show Rachel O’Riordan, political journalist and presenter of Radio 4’s Any AnswersAnita Anand and Professor of Postcolonial and Decolonial Studies at the University of SussexGurminder K Bhambra. 

August 2019 – Red Dust Road

“You are made up from a mixture of myth and gene. You are part fable, part porridge”

Growing up in 70s’ Scotland as the adopted mixed raced child of a Communist couple, young Jackie blossomed into an outspoken, talented poet. Then she decided to find her birth parents…

From Nairn to Lagos, Red Dust Road takes you on a journey full of heart, humour and deep emotions. Discover how we are shaped by the folk songs we hear as much as by the cells in our bodies.

Based on the soul-searching memoir by Jackie Kay, adapted by Tanika Gupta, and directed by Dawn Walton.

Opening at the Edinburgh International Festival in August 2019 and then at HOME, Manchester in September 2019. Touring to Macrobert Arts Centre, Stirling and Eden Court Theatre, Inverness in autumn 2019.

Book tickets now!

June 2019 – Hobson’s Choice

A updated version of Tanika’s adaptation of Hobson’s Choice, that first appeared at the Young Vic in London in 2003, will be produced at the Royal Exchange Theatre in Manchester from 31st May until the 6th July 2019. Find out more and book tickets now!

August 2018 – James Tait Black

Tanika Gupta won the prestigious James Tait Black Prize for Drama 2018. The £10,000 play writing prize is presented annually by the University of Edinburgh for the best original play written in English, Scots or Gaelic and first performed by a professional company in the previous year. Gupta won for her play Lions and Tigers, performed last year at the Sam Wanamaker Playhouse in London, which tells the true story of her great uncle and freedom fighter Dinesh Gupta.

The awards ceremony took place at the Traverse Theatre in Edinburgh on August 20, hosted by television and radio presenter Shereen Nanjiani.

“The talent and creativity shown by this year’s shortlist was astounding. Tanika Gupta’s epic drama pushes the boundaries of verbatim theatre, telling an important story in a fresh and authentic way never seen on stage before.”–  Chair of the judging panel, Greg Walker, Regius professor of rhetoric and English literature at the University of Edinburgh